Welcome to my blog, where I gather thoughts on Heart Wood, the environment, eco-fiction, feminism, writing, and more.
Now that social isolation has become the norm, how about curling up with a good book? The coronavirus will continue to alter our lives in unimaginable ways, but at least we can still enjoy reading!
Heart Wood will transport you into the lives of three women of the past, present, and future as they cope with their changing worlds. No viruses, I promise! The most common reaction I do get to Heart Wood is “this gives me goose bumps!”
The ebook version will be available online soon and Heart Wood will eventually be available in local independent bookstores. Be sure and ask for it and support your local indie bookstores!
|“To my own surprise, I don’t expect new authors to be so sly or quick in engaging, holding, and enlightening their readers. Whenever I pick Heart Wood up, I always regret having to put it down. Shirley DicKard is extremely good.”|
– Gary Snyder, Pulitzer Prize-Winning Poet, essayist, environmental activist
Heart Wood – Four Women, for the Earth, for the Future
Deep in the heart of a small oak writing desk is a legacy that mysteriously connects three family women across centuries and generations in their fight for the future.
Shima’a, an ancient woman with disturbing visions of the Earth’s demise, sends a message of warning, and a seed of hope, forward in time within the heart of an acorn to three family women:
Eliza: Post Gold Rush in the Sacramento Valley, late 19th century.
Harmony: Back-to-the-land homestead in the Sierra Nevada, late 20th century.
Amisha: Dystopic San Francisco and the Sierra Nevada, late 21st century.
Writing on the heartwood of the old desk, each woman is influenced by the ancient message as she views mankind’s escalating destruction of the natural world through the eyes of her time. The women learn to listen to the silence, hold the earth in their hands, gather the women, then do what must be done.
Heart Wood is a compelling family saga set in the foothills of California’s Sierra Nevada. Its characters shift from one generation to the next, as do the struggles they face in saving their homestead from the ravages of climate change, fire, and human greed. But it’s mankind that poses the most dire challenges to the land and to those who seek life upon it. Heart Wood speaks of the collective power of feminine energy to protect the Earth. If you feel you’re not doing enough or that it’s already too late to make a difference, Heart Wood may change your mind. An eco-speculative-historical-magical-feminist novel.
What happened to The Desk – the epic novel I’ve been working on for nearly ten years? It has a new title – Heart Wood – and it’s very close to being published!
Let me fill you in. Heart Wood was actually the original title before my working title of The Desk. After several early readers spontaneously suggested that Heart Wood would be a perfect title, I agreed and returned to the original title. Heart and Wood are themes interwoven throughout the novel.
I’ve chosen to publish independently for several reasons: time and control. I hold the rights to my novel, I control the cover and content, and I can publish it now through my local writing group’s imprint: Sierra Muses Press – not years down the line with a publishing house. The trade-off is that I’m responsible for all the work that a publisher would do for me: editing, design, proofreading, printing, etc. Luckily, I’ve had the support of many local professional women. It’s been a steep learning curve, but I’m not alone. In 2018 there was a 40% increase in independently published books.
Save these Dates!
MARCH 21st, 7 pm: Soft launch at Wordsmiths & Musicmakers at the Camptonville Community Center (camptonvillecommunitycenter.org)
MAY 3rd, 3-5 pm: Sierra Muses Press Book Launch at The Open Book, Grass Valley, featuring books by Shirley DicKard, Mila Johansen, Leslie Rivers, and Jenifer Bliss.
Join me Sunday, May 19th, in Grass Valley, for the launching of the new Sierra Muses Press. I will be reading a preview from my upcoming book, “The Desk” which I hope to have published by the end of this year!
(Note: “The Desk” was the former working title for “Heart Wood” before 2020)
Dams have been in the news and on my radar again. Just as I’m revising the chapter in my book about fighting a dam back in 1990 (yes, the novel’s still in progress, but I’m pedaling faster now that I’m working with a writing coach!), here in Northern California the Oroville Dam spillway break caused the evacuation of 200,000 people in the Yuba-Sutter lowlands, and a new dam is being proposed on the Bear River in Nevada County.
I totally emphasize with all that would be impacted by the Centennial Dam that Nevada Irrigation District (NID) is currently proposing for the Bear River west of Colfax (Nevada and Placer Counties). Back in 1999, the Moonshine Road area of Camptonville was faced with the prospect of a dam on the Middle Yuba River. Without benefit of today’s social media, our very small community of 600 people organized, educated, then partnered with SYRCL to form our own MYRACL (Middle Yuba River Area Citizens League). Eventually, the Yuba County Water Agency took the Freeman’s Crossing Dam off the list of options for flood control. But in the current political culture of abrupt reversals, no one can afford to be complacent. Thankfully today, myriads of new organizations have joined SYRCL to focus on protecting our rivers and environment. Folks are better connected, informed, and proactive.
If you want to become informed about the Centennial Dam proposal and learn how to impact the process, here’s some links to check out. Citizens have until April 10th to give public comment to the Army Corps of Engineers, so do it soon!
Now back to my writing. Dams provide the dramatic backdrop for my present-time character, Harmony, a back-to-the-lander religiously devoted to saving the planet. Based on the true events in Camptonville, Harmony was part of a group that struggled to ward off a dam that would have inundated over a third of the families in her small, rural, community.
But in the end, it was the children who saved the river.
Excerpt from The Desk: (Note: “The Desk” was the former working title for “Heart Wood” before 2020)
Back then, the prospect of this dam hung like a shroud over our school kids. In classrooms, bathrooms, lunchrooms, and recess, all they could talk about was that half of their friends would be flooded out; families would be forced to leave; the school would have to shut down.
Mrs. Watson, the fifth grade teacher, understood that the best antidote for anxiety was action. She assigned her ten-year old students the project of creating a plan. What did they want to happen? Who could they approach? What would they say? Soon parents and school staff got on board and helped the class get on the Supervisor’s Agenda. TV and news media were alerted, and at ten am, the school bus dropped twenty children into a throng of reporters and cameras in front of the county government center.
Once inside the Supervisors Chambers and called to speak, students displayed their six-foot, hand-drawn poster depicting how the dam would destroy their community. One-by one, four students stood at the microphone and read the speech they had practiced in class. How, they asked, could the Supervisors purposely wipe out one of its own communities?
Towering above them from their elevated desk, the five Supervisors leaned back in their seats, taking in the children, cameras, reporters, then back to the children. The Chairman thanked the students politely and announced they would make their final decision by the end of the afternoon, then added he wished he could to bring his own constituents to the school to learn how to make a good presentation!
The next day the school’s hallways were plastered with news coverage of the childrens’ appeal….the children who saved their community from being flooded.
Flash forward to 2,020. Having once defeated this dam that would have flooded her home, Harmony is now faced with the revival of the 19th century solution to the 21st century problem of droughts, decreasing water supply, and increasing demand. What is now different in this (hopefully) fictional account is that by 2,020, the environmental regulatory process has since been dismantled. No more red tape, pesky regulations, meddling oversight, or tedious public input. Developers are freed at last to finally get things done!
May I repeat how you can impact our future right now?
Check out: www.SaveBearRiver.com and SYRCL’s http://yubariver.org/get-involved/ The public has until April 10th to comment on NID’s plans to construct Centennial Dam – a new reservoir on the Bear River between the existing Rollins and Combie Reservoirs. It’s up to us citizens to take notice and take action.
Wednesday, November 9, 2016
I stare into the open refrigerator, my bare toes curling on the cold linoleum. I need comfort food. Where’s the custard, or mashed potatoes, or macaroni and cheese? I woke up feeling punched in the stomach. This is not my morning; he is not my president; this is not happening. Joe comes down the stairs in his robe and I shove the refrigerator door closed. He shakes his head; we exchange glassy stares.
Curled into a chair, I hug my knees. All we’ve accomplished in the last eight years will be wiped out in one coup. I listen to Dora sputtering a message on the answer machine but can’t bear to take it.
”No one saw this coming,” Joe says, his fists are curled tight like he wants to bash someone.
I rummage around the pantry shelf hoping that the old box of Cream of Wheat is still there. It isn’t. I settle for polenta instead and pour my grief into the hot water along with the yellow corn.
“Such a sad, sad day for Mother Earth.”
“And health care, honesty, clean energy, integrity, respect…”
I stop Joe with a wave of my hand, too weary to commiserate.
After a warm bowl of polenta smothered in melted butter, I change into sweat pants and go outside to rake leaves, same as I did when my father died, or when words are too much a struggle. I haul a garbage can full of musty oak leaves up to the garden and dump them into the open graves of my raised beds.
“I’m so sorry,” I whisper, as I yank a few dandelions out of the carrot patch and toss them onto the pathway.
I thought maybe you could change something, comes a whisper back.
I drag myself to the house, heavy with despair. I can’t think, can’t read, can’t write. I draw the curtains and curl up on the couch.
My stomach remembers third grade.
“Draw something that you really care about.” Mrs. Clark gave us two days to create a masterpiece, and I worked on it every spare minute I had. While boys drew hot rods and fancy bicycles, I drew flowers. Not just flowers, but intricate specimens from the garden beds that surrounded my home: pink hydrangeas, red bottle brush, white calla lilies, purple rhododendrons. From mom’s cutting garden I drew snapdragons, pansies, and zinnias. I even drew a few weeds, like the ones with long pointed swords you could join together to make scissors.
The day our art projects were due, I still had one blank space to fill in, and decided I could finish it during morning recess. Though I knew it was off limits for third graders, I slipped my art page into a big picture book, hid a yellow and a green pencil in my pocket, and sneaked out to the baseball diamond where I knew dandelions grew by the dugout. I was almost finished when shadows from behind loomed over my page.
“Looks like your flowers need some dirt to grow in.” Fat-bellied Percy dribbled globs of mud onto my page then leaned over and smeared them into my flowers. His friends laughed and jostled about, even Bruce who would never hurt a fly. “Good goin’ PC,” they said. I froze.
“Hey, let’s make flower seeds and plant them.” PC snatched my beautiful flowers and in slow motion, tore them into small squares that drifted to the dirt in front of me. Ricky, David, Bobby, and even Bruce hung around PC, slapping his back; all wanting to be just like him as they strutted back to the classroom.
I hung my head. I knew I shouldn’t have been out there. Fighting back tears, I rushed to the bathroom, closed the stall door, held my stomach, and cried. I didn’t recognize the anger then, I thought it was shame.
Mrs. Clark cocked her head when I dropped my white page with two nondescript pink flowers onto her desk. I lowered my eyes, and back at my seat, buried my face in a book. A week later, I got my page back with a frowny face on top and her note: “It looks like you didn’t try.”
(From The Desk, a work in progress)
A cherished story in my family is that Great Grandma came to California by covered wagon during the 1849 Gold Rush. Only she didn’t. Hard as I try to hold on to the version of my great grandparents making a tortuous six-month wagon “road trip” from Michigan to California to start a new life together, the evidence just isn’t there.
Nonetheless, I refuse to be swayed by facts. So what if dusty historical biographies and frayed yellow obituaries record that it was actually 1874 when Emily Anna Bacon Hoppin accompanied her new husband, Charles, back to his 800 acre ranch in Yolo, California. She might even have taken the new transcontinental railroad, recently opened in 1869 for all we know. But inside of me is a small child who won’t release her fingers around a favorite shiny pebble. In my heart, Great Grandmother did come to California by covered wagon during the Gold Rush.
“It’s the storyteller’s right to embellish the story,” my Grandma Dot-Dot once confessed as she spun yet another legendary tale about her mother’s life in the late 1800’s. I interviewed Grandma before she died and transcribed her stories into a book which I gave to the extended family. It was a meritage of memory and facts. From her child’s-eye perspective of early California ranch life, Grandma fashioned her mother into a larger-than-life figure who was not to be reckoned with. “Emily Hoppin was known as a woman who stood by her principles,” Grandma told us. “Why she and her women friends threatened to close down the local saloons so many times, they were known as the Three Musketeers. Grandma delighted in planting family stories into our fertile imaginations. She was our myth-maker.
I learned from Grandma Dot-Dot that stories are more important than facts. Stories nurture the heart; facts languish in the head. This is why I describe the novel I’m working on as part historical fiction, part memoir, and part future-fantasy. Despite my struggle to be historically accurate, I’m finding that the family’s mythology is much more enduring.
In my next blog, I’ll describe my discovery of an historical detail while traveling through the Nevada desert – a fact that somehow never made it into the family’s records or mythology.
© All materials copyright Shirley DicKard, 2015, except as otherwise noted.
Well, folks, after taking a year and a half off, I’m back. I don’t promise to blog on a regular basis, but I do promise to write as I’m inspired. I don’t know how daily bloggers have the time! Time? Isn’t that supposed to come with retirement? Hardly. My days are filled with more than ever – but at least I’m doing what I love – writing about the history and landscape of women, California, and the future we’re shaping – all part of my novel – The Desk. (Note: “The Desk” was the former working title for “Heart Wood” before 2020)
In my last blog (April 2014 – really?!) I had just taken on the editorship of our community’s small newspaper – The Camptonville Courier – rescuing it from near drowning. Nineteen issues later, it’s again thriving.
In spite of being distracted by running a newspaper (which I love), I’ve made decent progress on my novel this year. I’m semi-disciplined to rise before dawn and with a steaming cup of coffee, write for a few hours. The darkness keeps the real world out, and I can float back into Great-Grandmother’s world of 1850-1915, or forward to the future world of Great-Granddaughter, Amisha, end of this century and into the 2100’s, or stay right in the present and witness the slow deterioration of our planet.
Like the racing tortoise, (slowly, but Shirley), I’ve been steadily working on this book for over six years now. As I look back at 2014, I’m amazed at some of my accomplishments.
First, the novel is now fully fleshed out, thanks to a few personal writing retreats at Skyline Harvest Retreat Center. Having days alone with few interruptions enables me to immerse myself in the other worlds I’m creating. There’s an unseen energy at Skyline that beckons me into a much deeper place.
I’ve made a few historical site visits. Woodland, Yolo County, is where my Great-Grandmother lived and worked. I drove past where the family farm used to be (now a trailer, rusted cars and barking dogs), and left a bouquet of lavender on her grave in the Woodland cemetery. This summer I followed traces of her little-known life in the Nevada Desert before California – but that’s another blog!
I’m now standing at a new plateau in writing this novel, getting ready to interweave the three women’s stories with the legacy they inherited with the desk. Time to get out the cork board and move those 3X5 cards around.
© All materials copyright Shirley DicKard, 2015, except as otherwise noted.
“Watch out for potholes in the river bottom – step in one and you’re gone forever.” My mother’s words warned us children as we waded in the swift currents of the American River on a hot Sacramento day, but she could have been warning me about my recent life.
Taking on the Editorship of the Camptonville Courier has been like slipping into a pothole and I’m only just now coming up for air. For the past three months I’ve been navigating the unfamiliar world of publishing, where I’ve been pushed up a steep learning curve, challenged to learn a foreign vocabulary, and driven on by unrelenting deadlines.
Three editions later, I emerge from my hole and look around at my “normal life.” Though I vowed I wouldn’t sacrifice writing on my novel or practicing the cello, that’s exactly what happened. So yesterday, when I realized that I had actually written, practiced, and planted seeds in my vegetable garden, I felt a surge of hope. It’s said recovery sometimes sneaks up on you!
The uncanny thing is that this experience has found a way into my writing. At times, I don’t know whether I’m writing a novel, or the novel is writing my life.
Here’s a scene from The Desk, touched with magical realism as the present-time character, Christie is unknowingly nudged by the apparitions of her great-grandmother and great-granddaughter conversing at her bedside as she sleeps. (Note: “The Desk” was the former working title for “Heart Wood” before 2020, and “Christie” is now “Harmony.”)
“Everything has the same urgency to her,” says the short, plump one with the stiff lace collar that prickles her neck. “She’s paralyzed by her despair for the future and damming up her own power.”
“And thinks she can avoid it by saying she’s retired. Now where the hell did she get that idea?” The tall one flicks her long sandy-colored braid over her shoulder and crosses her arms in disgust.
“She doesn’t know the desk’s power.”
“Maybe the desk needs a little help?”
“A little nudge?”
“No, I’m thinking something bigger.”
* * *
The night is deep and dark when I awake making plans – not in my usual sleepless pattern where thoughts wiz across my mind like neutrinos in a vacuum chamber. These particular thoughts are organized, concrete. I observe them, allowing each one to pass by as in meditation, waiting for them to dissipate as they usually do so I can return to sleep.
But they don’t. My eyes dart back and forth as I listen intently to what seems to be outlandish plans to run the community newspaper. In one swift move, I am out of bed and seated at my desk, taking notes.
© All materials copyright Shirley DicKard, 2014, except as otherwise noted.
Just when I thought my life was perfectly full, I take on something really big. It wasn’t my idea – well, of course it was – but somehow I had made the decision without telling myself. I realized this when I woke up at 4 am and started writing notes on how I was going to run the local community newspaper.
Being Editor of The Camptonville Courier was never, ever on my retirement radar. Five months ago the last volunteer Editor left, and though people in our small town said how much they missed the monthly “community voice,” no one has come forward to take it on. Certainly not me! I’m a writer. That doesn’t mean I know publishing or want those responsibilities to take over my life.
Yet, something’s right. Here I am, one month after that fateful night, and loving what’s happening. Instead of feeling overwhelmed, I feel supported and delightfully challenged by all I’m learning about running a newspaper. More importantly, I have a crew of twelve community volunteers who are helping by taking on pieces of the work.
What cinched it for me is this is one thing I can do for my community. I’ve often grappled with what is right action, considering all the suffering and planetary deterioration around us. Not surprising, Christie, the present-time character in the novel I’m working on, grapples with the same question. She knows that by the end of the century, her future great-granddaughter Amisha will be grappling with the impact of the actions we do/don’t do today. Here’s a draft excerpt from The Desk: (Note: “The Desk” was the former working title for “Heart Wood” before 2020, and “Christie” is now “Harmony)
“It seems no matter what route I take, I always end up wallowing in the same pool. Signs are everywhere. My humming laptop has already collected the morning’s emails – Outrage! Warning! Take Action! Thank god lots of people are working hard for causes, yet I sit here paralyzed by despair. I’m not a hero. I’m just me, living my life with right intentions as best I can, yet sensing there’s a huge tsunami coming toward us.
I go downstairs and refill my coffee cup. On the way back up, I rationalize that in small ways I am doing something. I grow my food, reuse cloth shopping bags, frequent farmer’s markets, and shop locally before checking Amazon. I’m a poster child for “One Hundred Ways to Save the Planet.”
Seated at the desk, my new fountain pen is poised in my hand, ready to write. I’m in love with it. Compared to a ball point, the ink flows almost as fast as my thoughts.
Amisha taps me on the shoulder.
“For what?” I ask, startled at her voice in my head.
“For water. The hand pump still works.”
“Oh that!” I laugh softly. My husband wanted a fancy solar pump and back-up system, but I told him I wanted simple. Too much high-tech stuff makes me feel helpless.
“You planted fruit and nut trees,” she continues.
“It’s what we back-to-the-landers did.”
“But they lasted. Even without anyone’s care.”
“So the drought-tolerant ones really were?” I’m impressed.
“I couldn’t have survived without them.”
I shift in my seat, feeling uneasy. “But it wasn’t enough, was it?”
“No, it wasn’t.” Her voice is cold and dry inside my head. I cover my eyes, despair drawing me down like quicksand.
© All materials copyright Shirley DicKard, 2014, except as otherwise noted.