Welcome to my blog, where I gather thoughts on Heart Wood, the environment, eco-fiction, feminism, writing, and more.
Join me on Wednesday, March 24th, 3 pm, for a Webinar about Emily Hoppin – Yolo Pioneer, Women’s Activist, and as my Great-Grandmother, the inspiration for Eliza in Heart Wood.
Zoom link: https://yolocounty.zoom.us/j/96613600322
Note to reader: I am struck by the irony of my post Creating Historical Fiction that I planned for today. Start with the facts, I write, but if you want a richer, more powerful story, try converting your story into a fictionalized version. We’re living in a time when a president is attempting to stay in power by creating a fictional version of the election. Future historians will help us understand the facts and how we responded thereafter. (SD – 1/12/21)
A thin, wavering curtain separates historical facts from the imagination of fiction. Research files may bulge with historical documents that provide the framework for fictionalized ancestors, but imagination and inspiration weave them into a deeper story.
Start with the Facts
Nearly every family has colorful characters and fascinating stories. You can probably think of a few yourself; maybe you have considered writing about them. But how? When I first became interested in my gold-rush era great-grandmother, I decided to write a biographical account of what I knew about how she came to California, ran an 800-acre farm, and worked to better the condition of her community.
Facts evolve into Fiction
At some point, I realized there was a larger story to tell – not just of her life and work, but how it related to the present generation, and even to our unknown future generations who will inherit our stories. I was encouraged to stretch into the realm of historical fiction. Gary Noy, editor of The Illuminated Landscape, A Sierra Nevada Anthology, agreed that fictionalized history carries an emotional resonance that far exceeds the presentation of facts. By writing a novel inspired by historical facts, I was free to tell a deeper, unhindered story.
From Fiction Back to Fact
Like the tip of an iceberg, fictionalized characters are more believable because of the bulk of research that lies beneath their story. Now that my fictionalized version is published, I return full circle to all the facts that launched Heart Wood. In conducting years of research, I’ve been delighted to know my great-grandmother as a larger-than-life thinker, writer, and activist. This research is now posted on my website under “Historical Research.” I am pleased to share my findings with my greater family and to make it available to the public for historical research.
I invite you browse the research that went into the creation of the past in Heart Wood. Perhaps it will be an inspiration to create something from your own family’s story!
Emily and Charles Hoppin (Yolo, California, 1850-1915)
The ancestors whose story inspired me to create Eliza and Silas in Heart Wood
I have recently posted over 25 documents and photographs on my website , including:
Charles Hoppin’s letters home from the Gold Rush (1850-1863)
An oral history with my grandmother, Dorothea Hoppin Moffett, about growing up on the Yolo Ranch with her mother, Emily Hoppin
Pages of Emily Hoppin’s personal scrapbook (1890s-1915) with news clippings of her campaign for president of the California Federation of Women’s Clubs, 1915
Photographs, maps, and selected documents from internet research
Conducting historical research has changed dramatically over the years
The Internet was unheard of when I first started investigating my family’s history in the late 1980s. To locate and read documents back then, I had to get in my car and travel to distant libraries and archives. Today, it’s a different world: my recent internet search for “Emily Hoppin, Yolo” found over 240 references to her in the California Digitalized Newspaper Collection!
AND…without the invaluable assistance of the Yolo County Archives and Records Center, Emily’s scrapbook would still be sitting on my bookshelf. I am grateful to Coordinator Heather Lanctot who scanned each page with their large-sized scanner so that the scrapbook can be read on my website, and in time, will be a permanent public record at The Yolo Archives. Like all volunteer-based organizations during this time of COVID, The Yolo Archives appreciates donations (bit.ly/fyca-join).
I hope you will enjoy browsing my Historical Research page and perhaps be inspired to be creative with your own family’s history. If you’re curious about writing historical fiction, traditional memoir, or a biography, you can find a wealth of support on the internet, on-line classes, writing coaches, and books.
“Hold to the now, the here, through which all future plunges into the past.” – James Joyce, Ulysses
Heart Wood can be purchased online and at all bookstores
Thank you for supporting independently-published authors and local bookstores!
I’m often asked, “what influenced your creation of a dystopic future in Heart Wood ?” Although I’ve read speculative novels by amazing authors (think Margaret Atwood), my answer is always the same:
The three dystopic novels forever branded into my memory are:
“Earth Abides,” “The Great Bay,” and “Feed“
Each novel influenced how I wove the 2075 journey of great-granddaughter Amisha into my vision of the future. Coincidentally, two of the authors described a great pandemic that wiped out most of mankind – a premise that now gives me chills. That wasn’t the premise of Heart Wood, although I did mention “the flu” as something Amisha often endured as a child. In Heart Wood though, there’s a sense of something else….
“EARTH ABIDES” by George Stewart. Written in 1949, Stewart details the earth’s transition and rebuilding after a virus wipes out most of civilization. Saved by the venom of a rattlesnake bite, the character Ish survives the virus and wanders through Northern California in what civilization has left behind. In vivid detail, Stewart describes the waves of transition the earth experiences, now freed from mankind’s influence. This book helped me let go of what I assumed is vital for the future. “Men go and come, but earth abides.” (Ecclesiastes, 1, 4)
“THE GREAT BAY” by Dale Pendell. Written in 2010, the late Pendell who lived in Nevada County, details the Great Collapse in California from 2021 to 16,000 years later. This takes place after a global pandemic in 2021 kills most of mankind – more than 200 million die in the U.S. in the first month alone. Chillingly prophetic! Pendell moves forward decades and centuries at a time with detailed stories of survivors and maps that show the steady filling in of Central California to form a “Great Bay.”
“FEED” by M.T. Anderson. Another prescient book written in 2002. Although this Young Adult novel was written before smart phones (introduced in 2007), Anderson absolutely nailed how insidiously this communication technology would infiltrate and control our lives. Like the Nib in Heart Wood, almost everyone has a chip implanted in their brain that connects them to “The Feed.” I listened to this as an audio book first and was hooked.
About Heart Wood – From Sandra Rockman, Theater Director
“Wow! What a feat! A really good read, mammoth detail and impressive imaginings with the Nibs, etc. Although sobering to read right now in the midst of the pandemic and the election – such an important story and sensibility. Thank you for all your work on it. The world needs this book right now.“
Heart Wood – Four Women, for the Earth, for the Future
The perfect gift for holiday giving; the perfect read for the times we’re in.
You can purchase your copy of Heart Wood at all local bookstores.
Visit me at: www.shirleydickard.com
If you enjoyed Heart Wood, please consider giving a review on Amazon or Goodreads. It’s one of the best ways to support me and all indie authors. Thank you!
It’s shivering cold inside the room where I’m about to take part in my first webinar panel about writing Heart Wood. If this had been old Japan during a freezing mountain winter, I might have kept warm by sitting at a table with a brazier of hot coals by my legs and a thick futon draped around the table to enclose the heat like a tent – a warming method called a kotatsu.
But it’s 2020, and without broadband internet access at home, I’m seated in our unheated Community Center in the Sierra with my own version of a kotatsu. Instead of hot coals by my feet, I have a small electric heater under the table. The wool blanket draped around the table and a wool sweater on my shoulders keep me warm so my teeth don’t chatter as I discuss writing with the other authors.
My guess is that webinars and virtual zoom meetings are here to stay, so I’d better figure out how to make them work! I’m not a luddite, but I tend to embrace new technology reluctantly – just ask my husband. Without his penchant for upgrading all things techie, I’d still be getting up from the couch to change the channel at my trusty-old 1980’s-era TV set.
Being an active participant via Zoom is easier said than done when you live in the mountains without cable, where satellite connections are fickle, and where there’s an awkward half-second lag before people hear the words you just mouthed. (BTW-most of us mountain folk still cling to our landline phones because mobile phones don’t always get good reception – a fact that’s lost on my urban friends!) But necessity is the mother of invention, so when I must be at my virtual best, I reserve a room at the local Community Center and use its high speed WiFi.
Looking good on camera is another problem. YouTube is now filled with people offering advice: how to place your lighting so you’re not a shadowed monster; where to place your script; what colors to wear; how to sit and look natural; background do’s and don’ts; and group conversation manners. Most sites offer at least one link to merchandise that promise to make you look professional: halo lights, tele-prompters, webcams, etc. It’s a booming business.
Before educating myself on YouTube, I didn’t realize that with my camera lens located at the bottom of the screen, it makes me look like I’m following a trail of ants across the screen instead of looking at the audience. I tried various suggestions, like elevating the laptop, but to no avail. In the end, a friend loaned me her plug-in webcam to hook on top of the screen and that did the trick.
I used to hate struggling with problems, but my attitude changed when I realized how many new brain synapses are formed in the process of problem-solving. At my 70+ age, that’s important!
How did the webinars go? The Sierra College OLLI Class on “Writing Your First Book” wasn’t recorded, but the “Friday Fiction” Panel on the Nevada County Library’s Virtual Author Showcase, 11/6/20, can be Viewed Here.
Heart Wood is the perfect gift for the holidays, whether for curling up in quarantine or as thoughtful consideration for how we can touch each other’s lives, give the earth a break to recover, empower a more feminine approach, and create a future that all forms of life can live in.
You can purchase your copy of
Also available at The Book Seller and Harmony Books in Nevada County.
If you enjoyed Heart Wood, please consider giving an honest review on Amazon or Goodreads. It’s one of the best ways to support me and all indie authors. Thank you!
So far, I’ve landed on two approaches for living within these polarities – for staying healthy and sane, yet aware enough to take action if needed:
Spend more time WALKING in nature
Limit how much CONTRACTION time I allow in my life
This excerpt from Heart Wood describes the first fairly well. Overwhelmed by what’s happening to the planet, Harmony takes off to walk by the river.
EXPANSION is bouyant. My chest feels light, my heart open. I notice little details around me – like the colors, smells, sounds of the approaching autumn. Small things lift my spirits: playing with the dog, an unexpected phone call from a friend, a news story of youth tackling an environmental problem. I feel optimistic. I’d like to stay in expansion forever, but as I move through the day, I know that contraction may be next.
CONTRACTION weighs heavy, making it difficult to think or move. My shoulders curve inward, it’s harder to breathe. Feelings of panic and hopelessness build as I lay awake wondering how our country and democracy are going to survive. Will we have to accommodate to more erratic hurricanes, wildfires, floods, and drought? Will we ever return to hugging our family and friends, listening to live music, going to school and work, taking vacations? What kind of world will our grandchildren live in?
WHEN I’M FEELING THIS CONTRACTED, I try to avoid the news, but it’s too easy to pick up my phone and take a quick peek at what’s happened since the last time I checked, which is sometimes only a half-hour before. At least I have some control. In Heart Wood’s future world, newsfeed from the Nib implanted behind Amisha’s ear can’t be turned off. We’re not there….yet.
MY SECOND APPROACH to surviving these times is first, to recognize when I’m beginning to feel contracted, then to consciously limit those experiences. Like the thermostat in my house, I can adjust my exposure up or down as I need. If I’m cold, I turn up the heat; too warm, I turn it down.
I’M LEARNING TO GAUGE which news source I can handle at the moment by whether its style leaves me feeling expanded or contracted. Same with conversations with similar-minded friends. It’s satisfying to vent about what’s happening, but afterwards, how do I feel? Distress may motivate me to take positive action, but not if I’m worn down by it. I’m learning I can change the topic or change the channel.
BACK TO WALKING. Even if you don’t have the natural world right outside your door, trust me, the simple act of walking is good medicine. You can start small, add city blocks and minutes as you can, pay attention to what you’re feeling, and appreciate where bits of green nature show up. It’s good for the heart and spirit, and it’s free.
ON MY DAILY WALKS, like Harmony in Heart Wood, I may start out walking fast, eyes narrowed straight ahead, mind turbulent with worrisome thoughts. Then something happens. After 15-20 minutes, my pace slows, my senses expand. I see that dogwood leaves are blushing red, feel acorns crunch beneath my shoes, and smell the clear air after months of wildfire smoke. I stop thinking. When I return to the house, I feel calmer, more resilient. And more ready for the next wave
I really wasn’t prepared for how many readers returned to buy extra copies of my eco-novel for giving to friends and family. Now is the perfect time to order Heart Wood for the upcoming holidays!
Purchase your copy of Heart Wood:
The sun hides its fiery crimson ball behind the gray pall overhead and I can hardly make out the ghostly outline of pines beyond my window. Friends report the sky over San Francisco is a dystopic burnt orange. We’ve all been breathing smoky air for days along the entire west coast and as I write, the Air Quality Index in the Sierra is Hazardous at 303.
So much for my original plans for this Blog: Is Elon Musk Musk’s controversial Neurolink the precursor to Heart Wood’s Nib? I’ll come back to that later. Today I want to write about something more pressing: Is there anything we can do to lessen these massive wildfires, or should we and our children’s children expect to live with them from here on out? Here’s what I’ll cover: 1) Wildfires in California’s future – my artistic literary vision and some scientific projections. 2) How the Paris Agreement is designed to help us locally and world-wide (which the president withdrew the US from, but many states are pushing ahead anyway) 3) One tangible way to impact how our legislators vote for the environment.
So here we are. It’s mid-September and I remind myself that wildfire season in California has only just started. As much as I’m grateful we’re not one of the tens of thousands who have lost their homes to this season’s wildfires already, and I’ve sent donations to the Red Cross to help those who have, I’m so aware that we all share in the destruction of our air quality, respiratory, and environmental health.
I “saw” an eerily similar scene years ago when I was writing about the future in Heart Wood and envisioned Amisha moving about in San Francisco in 2075:
The old vase on her dresser was shimmering red the next morning when Amisha raised her head from the pillow. Most days started this way. Though the rising sun was rarely seen, its warmth caused micrometal particles suspended in the air to scintillate in a vague morning glow, casting a sense of dawn across the city. (Heart Wood, p 14)
“Micrometal particles” suspended in the air? Though I left the details up to the reader’s imagination, it’s not hard to envision a ghastly mix of wildfire smoke and the toxins emitted from a burning civilization, as well as pollutants from industry and indestructible micro-plastics.
By 2075, wildfires have already burned most of the Sierra as Amisha and Charlie head up into the Sierra:
Amisha took another swig, then returned the canister to its hiding place. “What’s up there?” she asked, pointing to the hint of peaks in the distance. “You askin’ ’bout hills? Not much.” “People?” “They’ve come and gone, mostly farther north.” “Oregon?” “Farther. Canada’s still deciding its immigration policy.” “They say fires took out most of the foothills. Anything survive?” “A structure here and there.” “Trees? People?” “Can’t say,” Charlie climbed back into the wagon. “Why are you going up there?” Amisha asked. “Can’t say that either.” (Heart Wood p 93)
These 2075 scenarios were heavily influenced by the study: California’s Fourth Climate Change Assessment, 2018 sent to me by Ashley Overhouse, River Policy Manager for SYRCL (South Yuba Citizen’s League: https://yubariver.org/) The study gives projections for California in 2100 (temperature, water, wildfire, sea level, public health, communities, and governance). Here’s what they say about future wildfires in California (https://climateassessment.ca.gov/)
Impact: Climate change will make forests more susceptible to extreme wildfires. By 2100, if greenhouse gas emissions continue to rise, one study found that the frequency of extreme wildfires burning over approximately 25,000 acres would increase by nearly 50 percent, and that average area burned statewide would increase by 77 percent by the end of the century.
TABLE 9 | CLIMATE IMPACTS IN CALIFORNIA UNDER DIFFERENT EMISSION SCENARIOS
Table 9 presents estimated impacts to California assuming compliance with the Paris goals, as compared to a historic baseline and RCP 8.5 scenario. (RCP 8.5 is a business-as-usual (BAU) scenario that would result in atmospheric CO2 concentrations exceeding 900 parts per million (ppm) by 2100, more than triple the level present in the atmosphere before human emissions began to accumulate).
|CLIMATE IMPACT IN CALIFORNIA||BASELINE: 1976 – 2005||RCP 8.5 End of Century||PARIS AGREEMENT 1.5°C||PARIS AGREEMENT 2°C|
|Annual Average Temperature||14°C (57ºF)||19°C (66ºF)||15.2°C (59ºF)||15.6°C (60ºF)|
|Number of extreme hot days: Sacramento||1.6||14.3||2.4||2.9|
|April 1st Snow Water Equivalent||18.8 inches||-74 %||-22 %||-22.8 %|
|Soil Moisture||11.8 inches||-10 %||-1.3 %||-2.5 %|
|Wildfires: area burned||484.5 thousand acres||+ 63 %||+ 20 %||+ 20 %|
|Sea-Level Rise (2100 relative to 2000: mean values)||NA||137 cm (54 in)||28 cm (11 in)||41 cm (16 in)|
Considering the Paris Agreement on Climate Change Mitigation, you may remember that in June 2017, President Trump announced his highly controversial plans to withdraw the US from the 2015 Paris Agreement. He wanted an agreement on terms that were fair to the United States, its businesses, its workers, its people, its taxpayers – in accordance with his America First Policy. https://en.wikipedia.org/wiki/United_States_withdrawal_from_the_Paris_Agreement
No mention of being fair to the health of our environment.
Twenty-four state governors formed the United States Climate Alliance to continue working collectively toward the goals of the Paris Agreement, including California, Oregon, and Washington.
What can one person do? – Start by supporting the League of Conservation Voters and by voting!
I love this group because they work hard to elect politicians “who stand up for a clean, healthy future for America,” and defeating “anti-environment” candidates – at both federal and state levels. The League of Conservation Voters tracks the voting records of members of Congress on environmental issues in its National Environmental Scorecard, and it annually names a “Dirty Dozen,” a list of politicians whom the group aims to defeat because of their voting records on conservation issues, and their political vulnerability. (The group also names a state-level Dirty Dozen.)
Check them out: https://www.ecovote.org/
Like Harmony in Heart Wood’s present time, I have despaired that one person can make much of an impact. Yet collectively we have more power. Vote to elect decision-makers who will work for the earth!
Purchase your copy of Heart Wood:
A friend stopped me in the fruit isle of the grocery store recently and asked what I’m doing now that my book is published. Hanging out at the river? Reading? Cooking gourmet dinners?
I chuckled and rolled my eyes.
For authors, writing a book is only the tip of the iceberg. The real work comes afterwards with promotion, interviews, public book events (pre-COVID), and for me, expanding my website to share my “behind the scenes” research and inspirations for my novel.
One of my first goals was to have my eco-novel Heart Wood listed on Dragonfly.eco
Not only was I recently listed (thank you to all the readers who gave such positive reviews on Amazon/Goodreads), but I was selected for a feature interview with Mary Woodbury, Dragonfly.eco’s founder. Mary asked me some intriguing questions, which you can read here: https://dragonfly.eco/
In addition to my interview as an Indie Author, I found several other features interesting, especially the results of her Survey on the Impacts of Environmental Fiction. Mary Woodbury describes her insightful survey questions:
“I wanted to explore how readers were affected by fiction (including environmental fiction) that they had read. What were their favorite novels of all times, eco-novels, characters? What did they like and dislike in such fiction? In what ways were they inspired by this fiction, and did they move to action–or how else were they socially impacted, either negatively or positively? What genres and subgenres did they enjoy the most? Did they think eco-fiction impacted society, and how? “
You can read the summary of what she found here: https://dragonfly.eco/impacts-of-environmental-fiction-survey-results/
Now, back to what I am doing now that I’ve finished my book. To be honest, I also spend hours in my veggie garden picking off tomato horn worms (camouflage experts), figuring out what to do with the dozen cucumbers I pick every day (please send recipes!), packing my emergency “Go-Bag” in case we’re evacuated by a wildfire (welcome to California), and best of all, river time with my husband and dog (yes, river is good medicine).
Be well, be safe, and be kind!
This is first in a series: Behind the Scenes of Heart Wood
San Francisco 2075 –
“San Franciscans were surprised by water falling from the sky. Most water crept in at them from the sea.” (Heart Wood, page 5)
I originally wrote the opening scene for Amisha (year 2075) set amidst the rising sea levels propelled by continued climate change. The sea would first encroach San Francisco along the Pacific Ocean side, I imagined, then move eastward and slowly flood the city from the beach, up the avenues and into Golden Gate Park.
I was wrong.
According to professional future projections of rising sea levels, salt water is first going to enter San Francisco from the bay side and flood the waterfront piers, Embarcadero, Financial District, and China Basin – areas mainly built on landfill.
I discovered this, thanks to my friend Mark, who sent me websites that project future sea level scenarios – websites used by land use planners as tools to help understand, visualize, and anticipate vulnerabilities to sea level rise and storms.
Based on these projections, I moved the rising sea level scenes away from Golden Gate Park near the Pacific Ocean, and in its place, described the park as “a three-mile long tent city that generously houses Oceania’s Pacific Rim immigrants.”
After studying the map projections, I decided the most likely place for Amisha to encounter the encroaching sea was in the San Francisco Bay, across town. From Heart Wood:
(Earthquake) Rubble that wasn’t hauled into the ever-moving sea walls of the Embarcadero, Mission Bay, and Financial Districts was piled high, casting shadows over surrounding buildings. (Page 39)
Amisha and Orion walked through the old Financial District while waiting for the ferry to take them across the bay to the Martinez dock.
Amisha felt herself losing ground. “How much longer ’til the ferry?” she asked, reflexively waiting for Nib’s reply, but getting nothing.
“Forty minutes, at least.”
“Let’s walk then.” She struggled out of the truck and started down the street toward the old Financial District but didn’t get far. The district, once a vibrant collection of purposeful high-rises, was now a forest of toppled buildings standing like barren tree stumps in a swamp. The street ended abruptly at lapping water. Boats floated in front of each building. When did electric power start failing? If she couldn’t remember on her own, then how was she going to know things now? She reached for Orion’s arm, feeling a queasiness return. She could still stay. He’d cover for her.
“Eight minutes,” Orion said, and guided her back to the truck.
When did the sea invade the ground floors? she wondered, unable to stop thinking about the inevitable. (Page 40)
Are rising sea levels inevitable? With the COVID-19 pandemic and political uncertainties currently sweeping the world, we have so many new, urgent problems, yet in the background, the earth continues to warm; the seas continue to rise.
How does global warming cause sea levels to rise? When I’m faced with a complex situation – more than I can get my head around – I first look for easy-to-understand descriptions and suggestions. Here’s a start:
First, as carbon-dioxide traps more heat on the planet, the oceans get warmer and expand in volume. Second, ice caps in Greenland and Antarctica as well as other glaciers start melting, pouring more water into the oceans. Once these processes get underway, they won’t stop quickly, even if we ceased putting carbon-dioxide into the atmosphere tomorrow. https://www.washingtonpost.com/news/wonk/wp/2012/11/01/can-we-stop-the-seas-from-rising-yes-but-less-than-you-think/
Is it hopeless? In imaginary conversations with my character, Amisha, year 2075, she asks me if I even tried to do anything, or like Harmony, did I give up assuming it’s too big a problem for one person to make a difference? With a little research, I found a list of “Seven things you can do today to reverse sea level rise.”
I decided to start with these:
- Plant trees and other vegetation to halt deforestation. You can also donate to charities that plant trees. For example, Eden Reforestation and Tree Sisters.
- Enjoy a plant-based diet with less meat. Cows create methane, a greenhouse gas. Monoculture crops to feed the cows cause deforestation. Greenpeace points out it’s one of the best global warming solutions because the production of these food items creates 50% of global greenhouse gas emissions.
- Avoid products using palm oil. Most of its production comes from Malaysia and Indonesia. Tropical forests and carbon-rich swamps are cleared for its plantations. Avoid products with generic vegetable oil as an ingredient
- Reduce food waste. The Drawdown Coalition estimated that 26.2 gigatons of CO2 emissions would be avoided if food waste was reduced by 50%.
- Cut fossil-fuel use. Where available, use more mass transit, biking, and electric vehicles. Or keep your car but maintain it. Keep the tires inflated, change the air filter, and drive under 60 miles per hour.
- Vote for candidates who promise a solution to global warming. The Sunrise Movement is pressuring candidates to adopt a Green New Deal. There are 500 candidates who have vowed not to accept campaign contributions from the oil industry.
Check the list yourself – https://www.thebalance.com/sea-level-rise-and-climate-change-4158037 Maybe there’s some things you can commit to as well.
I invite you to browse my website, www.shirleydickard.com, where I will be gathering information and links to issues covered in Heart Wood.
You’re invited to an Open House at the newly remodeled website dedicated to my eco-novel: Heart Wood – Four Women, for the Earth, for the Future.
Years ago, when Heart Wood was in its infancy, I created my first website and blog. Having since outgrown the space, I’ve been working with a web designer to give it an updated look with new rooms and décor. Please stroll around and take a look!
There is one last room I want to remodel and I’m hoping readers can help me. If you click on the “Research” tab, you’ll see tabs for Past, Present, and Future. These are where I’m gathering Present data and evidence of mankind’s cumulative impact on the Future, as well as my family’s historical documents from the Past.
If you’ve read Heart Wood, you may share my concern for what we’re doing to our air, water, food, and earth, and the impact on our health and longevity – especially of our children. You can contribute by sending articles and links that I can post. Discussions welcome!
Thank you to Sky (who actually spent her first years in the mythical “Luna Valley”) for this first article: Why the World is Becoming Allergic to Food https://getpocket.com/explore/item/why-the-world-is-becoming-more-allergic-to-food?utm_source=pocket-newtab. Cue the rise of Pharm.food!
For history buffs, especially my family, I will post all the documentation I gathered about my great-grandparents, Emily and Charles Hoppin of Yolo, California – the inspiration for the characters of Eliza and Silas in Heart Wood. In my research, I found previously unknown speeches, writings, and interviews with Emily Hoppin. She was a woman before her time and now, 100 years later, her voice can be heard! I invite anyone with information about Charles and Emily Hoppin to add to this documentation on my website.
Please sign the guest book by leaving a comment. If you see any corners that need attention, let me know. I’m learning how websites nowadays must work across all types of screens: computers, tablets, and mobile devices – rather like a three-dimensional tic-tac-toe board! My appreciation to Katie (who also grew up in the “Luna Valley”) and her design team at Urban Sherpa Marketing: www.urbansherpa.marketing
If you recently received posts from my website/blog dated 6.13.20, please just ignore and delete. They should have been tests to me, not made public. You will soon get an official announcement from me of my new website and blog. I can’t wait to share it with you, so do watch for it!