Authors Beware!

I’m used to getting unsolicited emails from people in the publishing world offering their services – but this one was different. This person really got my deepest intentions in writing Heart Wood. As a “visibility service for authors,” she offered some solid suggestions for how to help more readers connect with my book, citing readers who follow such revered authors as Barbara Kingsolver, Margaret Atwood, or Octavia Butler.

I was flattered. And frankly curious enough to take the next step.

Here’s her email. What would you think if you received this?

I didn’t reply at first, but as I printed out her email to share with my writing critique group, I noticed that everything she said had a slightly familiar feel – a version of what was already on the internet, my website, and book reviews. Hmmmm.

Then I began to talk with other self-published authors. Yup, they’d received similar flattering letters, sometimes several a week – from various publishers, agents, and book clubs.

Not long after, I read this on EcoLit Books

Writers Beware: AI scams are coming for you
October 22, 2025
By John Yunker

Last week I mentioned in our newsletter that we’ve received a few AI-generated emails that are probably the most well-written scams I’ve yet encountered. So much so that I actually read the email twice — which has never happened before.
A week later, Midge received an email about one of her books that followed the same pattern.
We’re not alone — which means we’re all vulnerable. I outlined the pattern these emails follow:
1. They begin with a thoughtful, heartfelt introduction. They will note how special your book is.
2. They quote a relevant author that you probably recognize. Something that will make you think: Wow, this is a serious reader.
3. They note that your book hasn’t received as many reviews as they think it should.
4. Then they offer to share your book with their considerable audience of several thousand readers.
They do not mention any fees (and you can be sure there will be at some point). They also are vague on this community of theirs that somehow has thousands of passionate book readers.
The goal is simply to hook you into responding.
Although the goal of this email is no different than spam I’ve received for decades, the quality of the writing is what makes these emails dangerous. That and the fact that they appear to truly know your work.
So, beware. Many scammers will play a long game before asking for money, and targeting authors who are eager to get new readers is going to pay off for many of them. Keep in mind that while there are legitimate publicity routes to take, they involve the author seeking out these services, not the other way around.”

Thankfully, I didn’t reply to the email, but labeled “her” as spam. It makes me wonder how many other lines of work and creativity are targets of similar AI scams.

It saddens me, though – this eroding away at my sense of trust, replacing openness with doubt. I now have another filter to run communications by:  is this a real person or an AI scam?

And these emails keep coming! The most recent one was from Pilar García-Brown, “Senior Editor at Penguin Random House” including her head shot. Wow! In days past, I would have been thrilled beyond belief at this big publishing house. Now, beyond belief,  I just label them as spam and put them into a folder I call “Writer Scams.”

Have you had similar experiences? I’d love to hear from you.

Heart WoodFour Women, for the Earth, for the Future can be purchased at your local, independent bookstore (they can easily order it for you!) Or online. If you would like a signed copy directly from the author, contact me at heartwoodnovel@gmail.com.

Welcome to Heart Wood!

What happened to The Desk – the epic novel I’ve been working on for nearly ten years?  It has a new title – Heart Wood and it’s very close to being published!

Coming March 2020
Coming March 2020

Heart Wood – An eco-speculative-historical-magical-feminist novel

Let me fill you in. Heart Wood was actually the original title before my working title of The Desk. After several early readers spontaneously suggested that Heart Wood would be a perfect title, I agreed and returned to the original title. Heart and Wood are themes interwoven throughout the novel.

I’ve chosen to publish independently for several reasons: time and control. I hold the rights to my novel, I control the cover and content, and I can publish it now through my local writing group’s imprint: Sierra Muses Press – not years down the line with a publishing house. The trade-off is that I’m responsible for all the work that a publisher would do for me: editing, design, proofreading, printing, etc. Luckily, I’ve had the support of many local professional women. It’s been a steep learning curve, but I’m not alone. In 2018 there was a 40% increase in independently published books.

Save these Dates!

MARCH 21st, 7 pm: Soft launch at Wordsmiths & Musicmakers at the Camptonville Community Center (camptonvillecommunitycenter.org)

MAY 3rd, 3-5 pm: Sierra Muses Press Book Launch at The Open Book, Grass Valley, featuring books by Shirley DicKard, Mila Johansen, Leslie Rivers, and Jenifer Bliss.

Coming Up for Air

spiral_fire

“Watch out for potholes in the river bottom – step in one and you’re gone forever.” My mother’s words warned us children as we waded  in the swift currents of the American River on a hot Sacramento day, but she could have been warning me about my recent life.

Taking on the Editorship of the Camptonville Courier has been like slipping into a pothole and I’m only just now coming up for air. For the past three months I’ve been navigating the unfamiliar world of publishing, where I’ve been pushed up a steep learning curve, challenged to learn a foreign vocabulary, and driven on by unrelenting deadlines.

Three editions later, I emerge from my hole and look around at my “normal life.” Though I vowed I wouldn’t sacrifice writing on my novel or practicing the cello, that’s exactly what happened. So yesterday, when I realized that I had actually written, practiced, and planted seeds in my vegetable garden, I felt a surge of hope. It’s said recovery sometimes sneaks up on you!

The uncanny thing is that this experience has found a way into my writing. At times, I don’t know whether I’m writing a novel, or the novel is writing my life.

Here’s a scene from The Desk, touched with magical realism as the present-time character, Christie is unknowingly nudged by the apparitions of her great-grandmother and great-granddaughter conversing at her bedside as she sleeps.  (Note: “The Desk” was the former working title for “Heart Wood” before 2020, and “Christie” is now “Harmony.”)

“Everything has the same urgency to her,”  says the short, plump one with the stiff lace collar that prickles her neck. “She’s paralyzed by her despair for the future and damming up her own power.”

“And thinks she can avoid it by saying she’s retired. Now where the hell did she get that idea?” The tall one flicks her long sandy-colored braid over her shoulder and crosses her arms in disgust.

“She doesn’t know the desk’s power.”

“Maybe the desk needs a little help?”

“Should we?”

“A little nudge?”

“No, I’m thinking something bigger.”

*  *  *  

The night is deep and dark when I awake making plans – not in my usual sleepless pattern where thoughts wiz across my mind like neutrinos in a vacuum chamber. These particular thoughts are organized, concrete. I observe them, allowing each one to pass by as in meditation, waiting for them to dissipate as they usually do so I can return to sleep.

But they don’t. My eyes dart back and forth as I listen intently to what seems to be outlandish plans to run the community newspaper.   In one swift move, I am out of bed and seated at my desk, taking notes.

© All materials copyright Shirley DicKard, 2014, except as otherwise noted.